Miró Lithographe I - Plate VIII

"Miró Lithographe I - Plate VIII"  is a lithograph realized by  Joan Miró  in 1972. 

Good conditions.

It comes from the set of 11 lithographs realized for the catalogue "Miró Lithographe I" edited by Graphis Arte, Livorno and Toninelli Arte Moderna, Milano, in 1972.

Reference: Patrick Cramer, Joan Miró, C atalogue Raisonné des Livres Illustrés , Editeur P. Cramer, Genève 1989, n. 160.

While   Joan Miró   (1893-1983) rejected any formal association with movements or groups, including the Surrealists, André Breton recognised him as “the most Surrealist of us all”. His artistic approach encouraged the free play of associations, and envisaged “accidents” to provoke reactions closely connected to subconscious experiences. Miró’s famous motifs consist of freely reshaped fragments cut from catalogues for machinery on canvases to form black silhouettes – solid or in outline, with dramatic accents of white and red.

To read more about the artist, click   here ."Miró Lithographe I - Plate VIII"  is an original lithograph realized by  Joan Miró  in 1972. Perfect conditions.

It comes from the set of 11 lithographs realized for the catalogue "Miró Lithographe I" edited by Graphis Arte, Livorno and Toninelli Arte Moderna, Milano, in 1972.

Reference: Patrick Cramer, Joan Miró, C atalogue Raisonné des Livres Illustrés , Editeur P. Cramer, Genève 1989, n. 160.

"Miró Lithographe I - Plate VIII"  is an original lithograph realized by  Joan Miró  in 1972. 

Good conditions.

It comes from the set of 11 lithographs realized for the catalogue "Miró Lithographe I" edited by Graphis Arte, Livorno and Toninelli Arte Moderna, Milano, in 1972.

Reference: Patrick Cramer, Joan Miró, C atalogue Raisonné des Livres Illustrés , Editeur P. Cramer, Genève 1989, n. 160.

While   Joan Miró   (1893-1983) rejected any formal association with movements or groups, including the Surrealists, André Breton recognised him as “the most Surrealist of us all”. His artistic approach encouraged the free play of associations, and envisaged “accidents” to provoke reactions closely connected to subconscious experiences. Miró’s famous motifs consist of freely reshaped fragments cut from catalogues for machinery on canvases to form black silhouettes – solid or in outline, with dramatic accents of white and red.

To read more about the artist, click   here ."Miró Lithographe I - Plate VIII"  is an original lithograph realized by  Joan Miró  in 1972. Perfect conditions.

It comes from the set of 11 lithographs realized for the catalogue "Miró Lithographe I" edited by Graphis Arte, Livorno and Toninelli Arte Moderna, Milano, in 1972.

Reference: Patrick Cramer, Joan Miró, C atalogue Raisonné des Livres Illustrés , Editeur P. Cramer, Genève 1989, n. 160.

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SKU
T-151282
Price
€300.00
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Details

"Miró Lithographe I - Plate VIII"  is a lithograph realized by  Joan Miró  in 1972. 

Good conditions.

It comes from the set of 11 lithographs realized for the catalogue "Miró Lithographe I" edited by Graphis Arte, Livorno and Toninelli Arte Moderna, Milano, in 1972.

Reference: Patrick Cramer, Joan Miró, C atalogue Raisonné des Livres Illustrés , Editeur P. Cramer, Genève 1989, n. 160.

While   Joan Miró   (1893-1983) rejected any formal association with movements or groups, including the Surrealists, André Breton recognised him as “the most Surrealist of us all”. His artistic approach encouraged the free play of associations, and envisaged “accidents” to provoke reactions closely connected to subconscious experiences. Miró’s famous motifs consist of freely reshaped fragments cut from catalogues for machinery on canvases to form black silhouettes – solid or in outline, with dramatic accents of white and red.

To read more about the artist, click   here ."Miró Lithographe I - Plate VIII"  is an original lithograph realized by  Joan Miró  in 1972. Perfect conditions.

It comes from the set of 11 lithographs realized for the catalogue "Miró Lithographe I" edited by Graphis Arte, Livorno and Toninelli Arte Moderna, Milano, in 1972.

Reference: Patrick Cramer, Joan Miró, C atalogue Raisonné des Livres Illustrés , Editeur P. Cramer, Genève 1989, n. 160.

While   Joan Miró   (1893-1983) rejected any formal association with movements or groups, including the Surrealists, André Breton recognised him as “the most Surrealist of us all”. His artistic approach encouraged the free play of associations, and envisaged “accidents” to provoke reactions closely connected to subconscious experiences. Miró’s famous motifs consist of freely reshaped fragments cut from catalogues for machinery on canvases to form black silhouettes – solid or in outline, with dramatic accents of white and red.

To read more about the artist, click   here .

More Information
SKU
T-151282
Artist
Joan Mirò
Typology
Original Prints
Technique
Lithograph
Editor
Livorno, Graphis Arte - Milano, Toninelli Arte Moderna
Period
1970s
Year
1972
Signature
Not signed
Conditions
Good (minor cosmetic wear)
Dimensions (cm)
52 x 34 x 52
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