Les Métamorphoses du Jour
Les Métamorphoses du Jour is an original Modern Artwork realized in the 1830s by the French artist Jean Ignace Isidore Gérard (Nancy, Meurthe-et-Moselle, 1803 – Vanves, 1847).
Original Lithograph with watercolors.
Inscripted on the lower central margin.
Dimensions: cm 27 x 36.
Mint conditions.
Les Métamorphoses du Jour is an original Modern Artwork realized in the 1830s by the French artist Jean Ignace Isidore Gérard (Nancy, Meurthe-et-Moselle, 1803 – Vanves, 1847).
Original Lithograph with watercolors.
Inscripted on the lower central margin.
Dimensions: cm 27 x 36.
Mint conditions.
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Les Métamorphoses du Jour is an original Modern artwork realized by the French artist Jean Ignace Isidore Gérard (Nancy, Meurthe-et-Moselle, 1803 – Vanves, 1847). The name "Grandville" was his grandparents' professional stage name. Grandville received his first instruction in drawing from his father, a painter of miniatures. At the age of twenty-one he moved to Paris, and soon afterwards published a collection of lithographs entitled Les Tribulations de la petite proprieté . Grandville's ability for political provocation made his work much in demand. He worked in a wide variety of formats, from his first job illustrating the parlor game Old Maid , to illustrated newspaper strips of which he was a master. His illustrations for Le Diable à Paris ("The Devil In Paris"; 1844–46) were used by Walter Benjamin for his study of that city as an urban organism. One of Grandville's supreme achievements, at a time when French printing technology was ascendant, was Les Fleurs Animées , a series of images that are both poetic and satirical.
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