La Predicazione di San Giovanni Battista
La Predicazione di San Giovanni Battista is an Artwork realized by Giovanni Domenico Tiepolo (Venice, 1727-1804) in the Second Half of the 18th Century .
Black and white etching and burin on paper. First State on II fresh and lively Impression.
Dimensions: 230 x 275 mm.
Wonderful etching in excellent impression, very fresh and bright, in a vibrant black ink, wide margins. Some minor stains, some minor folds and a little fold on the lower right margin. Overall good conditions.
Excellent conditions.
Reference :
Rizzi 108, Prouté no. 163, 1981.
Provenance :
Ex Coll. Paul I Ermitage. Lugt 2061.
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La Predicazione di San Giovanni Battista is an Artwork realized by Giovanni Domenico Tiepolo (Venice, 1727-1804) in the Second Half of the 18th Century .
Black and white etching and burin on paper. First State on II fresh and lively Impression.
Dimensions: 230 x 275 mm.
Wonderful etching in excellent impression, very fresh and bright, in a vibrant black ink, wide margins. Some minor stains, some minor folds and a little fold on the lower right margin.
Excellent conditions.
Reference :
Rizzi 108, Prouté no. 163, 1981.
Provenance :
Ex Coll. Paul I Ermitage. Lugt 2061.
Disover More Interesting Artworks On Wallector.com!
La Predicazione di San Giovanni Battista is an original Artwork realized by Giovanni Domenico Tiepolo (Venice, 1727-1804). Tiepolo was an Italian painter and printmaker, mastering the art of etching. He is well known wolrdwide as he assited his father in Wurzburg (Germany), he made stairwell fresco in Vicenza (Italy) and at the Palace of Charles III in Madrid (Spain). La Via Crucis is among the earliest works engraved by Giandomenico Tiepolo, just about twenty years old, where he translates into etchings the namesake series of paintings realised for the oratory of the Crucifix of S. Polo’s is among the earliest works engraved by Giandomenico Tiepolo (Venice, 1727-1804), just about twenty years old, where he translates into etchings the namesake series of paintings realised for the oratory of the Crucifix of S. Polo’s church in Venice in 1747 commissioned by Bartolomeo Carminati. In the form of a very lively news report, Giandomenico creates scenes characterised by a strong narrative rhythm with bold framings of a picturesque crowd of spectators dressed in mid-18th-century Venetian fashion: characters in exotic costumes appear and stand out despite their irrelevance for the narrative.
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