Liber Veritatis - Plate 191

350,00 €
Disponibile
SKU
M-94751

Liber Veritatis - Plate 191  is a beautiful black and white etching and aquatint on paper realized by the Italian artist  Ludovico Caracciolo ,  after Claudio di Lorena .

This old master's original print is a beautiful  artist proof , the 191st plate from the series  Liber Veritatis , published in Rome in 1815 by Francesco Bourlié. Representing a Christian baptism, this aquatint by  Ludovico Caracciolo (engraver)  was inspired by the production of the French painter  Claude Lorrain ( draftsman) .   Signed  and numbered at the bottom of the plate “ Claudio di Lorena inv., L. Caracciolo F .”.

In very good conditions, with usual slightly brown paper on the margins. Including passepartout.

Liber Veritatis - Plate 191  is a beautiful black and white etching and aquatint on paper realized by the Italian artist  Ludovico Caracciolo ,  after Claudio di Lorena .

This old master's original print is a beautiful  artist proof , the 191st plate from the series  Liber Veritatis , published in Rome in 1815 by Francesco Bourlié. Representing a Christian baptism , this aquatint by  Ludovico Caracciolo (engraver)  was inspired by the production of the French painter  Claude Lorrain ( draftsman) .   Signed  and numbered at the bottom of the plate “ Claudio di Lorena inv., L. Caracciolo F .”.

In very good conditions, with usual slightly brown paper on the margins. Including passepartout.

Ludovico Caracciolo  (Rome, 1761-1841)

Roman landscapist and engraver, specialized in architectural drawings and panoramas of the Eternal City, Caracciolo loved travelling and drawing the most beautiful scenes he saw along the way. He became a protégé of  Elizabeth Foster , the second wife of the fifth  Duke of Devonshire , William Cavendish, and had the opportunity to publish a set of prints inspired by Claude Lorrain‘s works, collected in the  Liber Veritatis , Rome, Francesco Bourlié, 1815 (now in the collection of the British Museum).

Maggiori Informazioni
SKU M-94751
Artista Ludovico Caracciolo
Typology Original Prints
Technique Aquatint, Etching
Editor Roma, Francesco Bourliè
Periodo 1800-1849
Conditions Good (minor cosmetic wear)
Dimensioni (cm) 21 x 0.1 x 27
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