Chained Woman and Four Figures

Chained woman and four figures is an etching realized by Giambattista Tiepolo, in 1785. 

Sheet 32 X 23 CM. 

Good impressions on paper, with wide margins.

Reference: De Vesme, 3/10; Rizzi 29/38. Succi 41/50. 

It belongs to the edition dedicated to Girolamo Manfrin. This is the only edition which was issued as a stand-alone publication. Following Rutgers, the realization of the series was realized between 1733  and 1735.

One of the most celebrated painters of eighteenth-century in Italy, Giovanni Battista Tiepolo (1696-1770) began making prints with his first collection of ten etchings, known as the Varj Capriccj: a very personal response to the production by Salvator Rosa and

Giovanni Benedetto Castiglione . The prints don't have any straightforward or overt meanings, surely several prints evoke the ancient or Arcadian world, with classical urns, figures alongside tombstones, and fragments of obelisks; in one plate, the figure of

Death was reading a book, faced by a group of the living.

Tiepolo’s Vari Capricci received with great acclaim among collectors and connoisseurs, thanks to their technical virtuosity and to their enigmatic meanings, a mark of his brilliance and a successful and personal declension of the “capriccio”. In 1774 Pierre-Jean

Mariette wrote about Tiepolo: “ Rich and fertile genius … it shines above all in his prints ’'.