La Curee d'Un Lapin
La Curee d'Un Lapin is a black and White etching realized by A. de Balleroy in 1862.
Titled in the lower
Image Size: 24x34
Very good impression.
La Curee d'Un Lapin is a black and White etching realized by Albert de Balleroy in the 1862.
Titled in the lower
Image Size: 24x34
Very good impression.
Realized by Cadart for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred Cadart, the Société des Aquafortistes had the aim of reviving etching which had slowly been replaced by the cheaper lithography. Among the first participants in the association were the Barbizon painters who helped raise the medium to new heights, but over 100 leading French artists contributed to the creation of the 300 engravings. With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, former member, founded the Société Internationale des Aquafortistes in Brussels in December 1869 , while in London The Portfolio and the Society of Painter-Etchers were born respectively in 1870 and 1880. In Paris, in 1873, the magazine Paris à l'eau-forte was founded.
La Societe Des Aqua Fortistes is a black and White etching realized by Alfred Cadart in the Late 19th Century.
Titled in the lower
Image Size: 39x25
Very good impression.
Realized by Cadart for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred Cadart, the Société des Aquafortistes had the aim of reviving etching which had slowly been replaced by the cheaper lithography. Among the first participants in the association were the Barbizon painters who helped raise the medium to new heights, but over 100 leading French artists contributed to the creation of the 300 engravings. With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, former member, founded the Société Internationale des Aquafortistes in Brussels in December 1869 , while in London The Portfolio and the Society of Painter-Etchers were born respectively in 1870 and 1880. In Paris, in 1873, the magazine Paris à l'eau-forte was founded.
SKU | T-150042 |
---|---|
Artista | Albert de Balleroy |
Typology | Original Prints |
Technique | Etching |
Periodo | 19th Century |
Year | 1862 |
Signature | Signed on Plate |
Conditions | Good (minor cosmetic wear) |
Dimensioni (cm) | 53 x 36 x 0.1 |
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