Liber Veritatis - Plate 34

Liber Veritatis - Plate 34  is a beautiful black and white etching and aquatint on paper realized by the Italian artist  Ludovico Caracciolo ,  after Claudio di Lorena .

This old master's original print is a beautiful  artist’s proof , the 34th plate from the series  Liber Veritatis , published in Rome in 1815 by Francesco Bourlié. Representing a terrifying storming seaside with ruins, this aquatint by  Ludovico Caracciolo (engraver)  was inspired by the production of the French painter  Claude Lorrain ( draftsman) .   Signed  and numbered at the bottom of the plate “ Claudio di Lorena inv., L. Caracciolo F .”.

In very good conditions, except for a restored rip of the paper on the lower margin at the center.

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SKU
M-101498
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Liber Veritatis - Plate 34  is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo , after Claudio di Lorena .

This old master's original print is a beautiful artist proof , the 34th plate from the series Liber Veritatis , published in Rome in 1815 by Francesco Bourlié. Representing a terrifying storming seaside with ruins, this aquatint by  Ludovico Caracciolo (engraver)  was inspired by the production of the French painter  Claude Lorrain ( draftsman) .   Signed and numbered at the bottom of the plate “ Claudio di Lorena inv., L. Caracciolo F .”.

In very good conditions, except for a restored rip of the paper on the lower margin at the center.

Ludovico Caracciolo (Rome, 1761-1841)

Roman landscapist and engraver, specialized in architectural drawings and panoramas of the Eternal City, Caracciolo loved travelling and drawing the most beautiful scenes he saw along the way. He became a protégé of Elizabeth Foster , the second wife of the fifth Duke of Devonshire , William Cavendish, and had the opportunity to publish a set of prints inspired by Claude Lorrain‘s works, collected in the  Liber Veritatis , Rome, Francesco Bourlié, 1815 (now in the collection of the  British Museum).

More Information
SKU
M-101498
Artist
Ludovico Caracciolo
Typology
Original Prints
Technique
Aquatint, Etching
Editor
Rome, Francesco Bourliè
Period
1800-1849
Conditions
Good (minor cosmetic wear)
Dimensions (cm)
21 x 0.1 x 27
More about Ludovico Caracciolo